102 TWO STANDARD GRADE MASON DECOYS. The first a REDHEAD DRAKE. The second is a REDHEAD HEN. Both retain some original paint with areas of touch-up. The hen with minor repair to tail and bill and large bottom check. The drake with restoration to neck filler. 200-300

 

103 BLUEBILL DRAKE by the J.M. Hayes Wood Product Co., Jefferson City, Mo., 1921-1925. Superior model, No. 217. Very strong original paint with some in-use wear. Structurally good with a body check the length of underside. Does not appear to have been weighted. Refer to "Factory Decoys" by K. Trayer, pg. 192 for a similar example. 200-300  

 

104 BLUEBILL DRAKE by the J.M. Hayes Wood Product Co., Jefferson City, Mo., 1921-1925. Superior model, No. 217. Very strong original paint with some in-use wear. Structurally good with a body check the length of underside. Does not appear to have been weighted. Refer to "Factory Decoys" by K. Trayer, pg. 192. 200-300  

 

105 MALLARD DRAKE by the Mason Decoy Company, Detroit, Mi. Challenge grade. Original paint worn to the wood in areas.  Structurally very good with some shot scarring and hairline cracks to sides. Bottom weights removed and holes filled and over-painted. 600-800

 

106 GROUP OF THREE MALLARD SILLHOUETTES by the J.W. Reynolds Decoy Company, Chicago and Forest Park, Il. All in original paint with some in-use wear. Mounted on original V-boards. Structurally very good. See "North American Factory Decoys" by Trayer, pg. 325. Together with a contemporary RED-BREASTED MERGANSER HEN in antiqued paint with tight check in top. 100-200 One Shown 

 

107 BLACK DUCK by the Victor Decoy Company. Original paint showing some wear. Structurally very good with typical hairline checks. Neck re-glued. Glass eyes intact. Branded VICTOR on bottom. 50-75

 

108 "CLASSIC SHOREBIRD DECOYS" by Milton C. Weiler, Winchester Press, N.Y., N.Y., 1971. Limited edition No. 841.  Signed by the author. Excellent original condition with the original lithographs. Original slip case w/very minor scuffs. 200-300

 

109 "AMERICAN BIRD DECOYS" by William F. Mackey, Jr. The first edition by E.P. Dutton & Co., New York. Generally very good condition. Retains dust jacket with some minor tears. Together with a decorative Bonaparte's gull by F. Merrian in excellent original paint and condition. 100-200

 

110 "THE CLASSIC DECOY SERIES" by Milton C. Weiler, enclosed in its original slip case. Copy No. 674, signed by the author. Winchester Press, N.Y., 1969. Complete set of 24 lithographs. Some minor staining to cover and slip case. 200-300

 

111 SNEAKBOX MODEL by Joseph Hillman. Excellent original paint and condition. Display stand included. Also six miniature black ducks, oars, ice hook, jib sail, jab board, and Golden Retriever. 200-300

 

112 "DECOYS OF THE ATLANTIC FLYWAY" by Dr.George Ross Starr, Jr.  Limited edition of 375 numbered copies. Copy No. 246, signed by the author. Winchester Press, 1974. Excellent original condition. Blue leather cover. Original slip case. 200-300

 

113 BLACK-BREASTED PLOVER, probably New Jersey, in what appears to be original paint with some possible touch up. Structurally good with some shot scarring. The bill is possibly shortened, but appears to be original. Together with "SHOREBIRDS" by Levinson and

Headley.  Very good condition with dust jacket. 200-400  

 

114 TWO BOUND VOLUMES OF THE WILLIAM J. MACKEY SALES, conducted in 1973-74 by Richard Bourne Co., Hyannis, Ma. The two volumes, bound in blue cloth, are in very good condition. Both have "prices realized" sheets for each sale. Owner's book plate on inside covers. 100-200

 

115 LITHOGRAPH BY DAVID MAASS depicting a flight of canvasbacks in a blustery bay. Published and printed in 1966 by Crossroads of Sports, Inc., N.Y., N.Y. Issue No 184/400. Signed lower right, numbered lower left. Very good condition. Original frame. Together

with a LITHOGRAPH depicting the Ward Brothers at work in their shop surrounded by 22 of their decoys. Very good condition in an older decorative frame. 200-300

 

116 1975-76 FEDERAL DUCK STAMP PRINT by James P. Fisher, depicting a canvasback decoy. No. 790/3150. Framed and matted. Signed and numbered. First issue. Some slight fading. 300-500

 

117 PAIR OF LITHOGRAPHS after Gerard R. Hardenbergh. The first showing three bobwhite quail in a wooded setting. The second showing a pair of woodcock. The second depicting a pair of woodcock drinking at a pond. Both with minor rubs. Both framed.

13 ½” x 19 ½”. 200-300

118 OIL ON ARTIST BOARD depicting a mallard drake in the style of Joel Barber. Professionally framed. Image size 13 3/8" x 9 3/8". Some foxing and staining to ground. 50-75

 

119 THREE-GALLON CROCK by the Brown Brothers, Huntington, N.Y. Decorated with three cobalt blue flowers on a central stem. Two molded handles and incised ring decorations. Retains Brown Brothers incised stamp. Early Long Island example. 200-400

 

120 ONE-GALLON CROCK, possibly New Jersey, decorated with a cobalt blue floral design and the number "1." Molded handles. Exterior crack to right side. 50-100 

 

121 VERY EARLY BALING SCOOP in very weathered paint and well-used condition. Together with a sheet-metal storage can. 50-100 

 

122 EDWARD VOM HOFF 30 SALT WATER BOAT REEL. Retains all working parts including leather drag arm. Side covers have patent date of May 20, 02. Excellent original condition with some nicks and scratches. Good working order. 300-500

 

123 LOT OF FIVE BOOKS consisting of "Wildfowl Decoys" by Barber, "The Art of the Decoy" by Earnest, soft cover, "Collecting Bird Decoys" by Luckey, soft cover, "Index of Decoys" by Secor and "The Sporting Life" by Sheehan. All in very good condition. 50-100

 

124 MORTAR AND PESTLE for grinding spices.  Probably Vermont. Turned maple with fine line etching. Height 6 1/4". Together with a butter mold showing six carved rabbits. Both circa 1890. 100-200

 

125 GROUP OF EARLY DUCK AND ANIMAL CALLS. One is a pintail call, two Faulks goose calls, a Faulks crow call, a goose call and a Herter's duck call with leather case. Together with a BRANT silhouette by Roger Dunn in original paint and good condition. 100-200

 

126 PIGSKIN LEATHER MUTTON-CHOP GUN CASE. Good condition with some wear to clasp straps. Some minor staining to skin. Shoulder strap missing. 100-200 

 

126A BLACK-BREASTED PLOVER, branded Walker.  Excellent original paint with a nail bill. Structurally sound. Mounted on a wood base. Together with a one-third size DECORATIVE TERN by "Hurricane" Pete Peterson, Cape Charles, Va. Near-mint condition. Branded “PETE.” 100-200

 

127 BLACK-BREASTED PLOVER by Mark McNair. Outstanding original near-mint paint and structurally sound condition. Relief-carved wings and "beetle" style head. Mounted on a base with wire legs. "McNair" carved in bottom. 900-1100

 

128 SHOOTING GALLERY CAST-IRON QUAIL. Very early model mounted atop the dropped flange, retaining part of the chain-belt drive. The unit is completely oxidized with only traces of paint. Very good structural condition. 50-100

 

129 OYSTER CATCHER by Richard Yetman. Together with a MUD HEN by Yetman. Both in excellent original paint and condition. Both with raised, relief wings. Both mounted on wood bases. Both branded "RY" on bottoms. 100-200

 

130 YELLOWLEG by Capt. R.E. Belote, Willis Wharf, Va. Near-mint original paint and structurally sound condition. Split-tail with head turned right. Branded "REB" on decoy and base and signed. 100-200

 

131 TWO MINIATURE SWANS by Bud and Kevin Hammell, Pt. Pleasant, N.J. Both with original paint bearing a coat of varnish. Both heads turned. Both signed and dated 1986 on bottoms. Both branded. 100-200

 

132 THREE MINIATURE CARVINGS consisting of a miniature Canada goose, miniature Bahama duck and a songbird. All by the Wilber family, Island Heights, N.J. All in excellent original paint. Repair to bill on goose. 100-200

 

133 BRANT by John Hamilton, Cedar Run, N.J. Very good original paint showing minor wear and crazing. Hollow carved. Structurally very good with hairline neck crack. Together with a DOWITCHER by Glenn Cooke and a DOWTICHER by Fred Brown. Both in excellent original paint and good condition. 100-200

 

134 MINIATURE MALLARD with unusual pieced snake skin covering. Possibly a cast metal body. Stamped "TURREL DESGIN" on side. 50-75 

 

135 CARVED BOB-WHITE QUAIL by an unknown carver. Excellent original paint and structurally sound condition. Wire feet mounted on a driftwood base. Together with a PEEP by Hurley Conklin, Manahawkin, N.J. Mounted on wood base. Signed “H.Conklin NJ.”

 100-200

 

136 GROUP OF FOUR RUDDY DUCKS, consisting of a pair by Roger Dunn, and a pair carved and painted in the Wildfowler tradition. All in very good original paint and unused condition. The pair of Dunns are branded. 200-300

 

137 FOUR RUDDY DUCKS by J.P. Hand, Cape May, N.J. All in very good original paint with very minor scuffs. All structurally very good. Hollow carved. All with inlet weights. All branded. 200-400

 

138 GROUP OF FOUR RUDDY DUCKS consisting of two by Rutter, Sr., one by Bill James and one by Nick Sapone. Three with very good original paint and unused condition. One with natural finish. Rutter and Sapone ducks are branded. 200-300

 

139 TWO RUDDY DUCKS by Tom Savage, Chincoteague, Va. Near-mint original paint and unused condition. Both structurally sound with heads slightly turned. Both branded "TS." One signed. 100-200

 

140 TWO PAIRS OF RUDDY DUCKS. The first by Coot Garten. The second is by Reggie Birch. All four are in very good original paint and unused condition.  The Garten ruddy ducks are "antiqued." All branded by makers. 300-500

 

141 GROUP OF FOUR RUDDY DUCKS by Capt. H. Jobes, Butch Parker, and a pair by Dick Robinson. All in very good original paint and condition. The Parker is "antiqued." All structurally very good. 200-300

 

142 PAIR OF GREEN WING TEAL by Harry V. Shourds, Seaville, N.J. Near-mint original paint and unused condition. Structurally sound, hollow carved. Both heads slightly turned. Both with inlet bottom weights. Both signed and dated 1986. Both branded. 400-600

 

143 PAIR OF CANVASBACKS by J. Rutter, Sr., in fair original paint exhibiting shrinkage to breast back areas. Structurally good. Hollow carved. Both branded "RUTTER, SR." Together with a PAIR OF GREEN WING TEAL by J. Rutter, Sr., in very good original paint. Structurally good, hollow carved. Repaired break in hen's bill and neck. Repaired crack to drake's neck. Both branded "RUTTER, SR." 200-300

 

144 PAIR OF GREEN WING TEAL by Armand J. Carney, Absecon, N.J. Both in near-mint original paint and condition. Both heads slightly turned. Detailed wing painting and comb feathering to drake. Both elongated tails. Notation on bottom reads:"GREENWINGED TEAL,1984.” Both signed. 300-500

 

145 PAIR OF HOODED MERGANSERS by Kevin Hammell, Pt. Pleasant, N.J. Near-mint original paint and unused condition. Both with turned heads with flowing crests. The hen with carved feathering. Both with full keels. Both branded. 200-300

 

146 PAIR OF HOODED MERGANSERS by Jimmy Bowdin, Chincoteague, Va. Excellent original paint and unused condition. Structurally sound with both heads turned slightly right. Both retain original weights and rigging wire. Both branded, signed, and dated “2002” on bottoms. 150-250

 

147 OLD SQUAW DRAKE by Brian Mitchell, Elkton, Md. Near-mint original paint and condition. Signed on bottom. Together with a MINIATURE CANVASBACK DRAKE by Brian Mitchell, carved in a feeding position with split-tail. Painted wood base. Signed “B.Mitchell #1.” 100-200

 

148 RED-BREASTED MERGANSER DRAKE by Ken Kirby. Executed in the New England style. Very good original paint with some sap bleeding to right wing area. Structurally sound and unweighted. Signed by maker on bottom. 200-300

 

149 GREEN WING TEAL DRAKE by Jim Seibert, N.J., in excellent original paint. Cork construction with bottom board. Signed and dated 1998. 30-50 

 

150 STANDING GREY-BACK GULL attributed to W.T. Miller, possibly New Jersey. Very good original paint with minor blemishes. Structurally sound, solid carved, with split tail. Mounted on a wood piling with two molded feet. 200-300

 

151 PAIR OF GOLDENEYES, probably Vermont, in near-mint original paint and unused condition. Both solid construction with full keels. 100-200 

 

152 TWO EARLY HUNTING CAMP CANADA GOOSE SILLHOUETTES. Both in very good original paint showing some minor foxing from age. One is a high-head loomer, the other is a feeder. Both structurally sound. 100-200

 

153 DISPLAY CARD OF EARLY WOOD BAITS AND PLASTIC FROGS including some home-made early examples, some of which have jointed bodies. Approximately 36 pieces in all including some very unusual early examples. 200-300

 

154 GROUP OF FIVE LARGE SALT WATER LURES contained in four separate boxes. Some hooks missing, other rusted. Generally fair condition.  Four lures are Creek Chub Giant Pike, one is a Martin lure with silver scale pattern. 50-75

 

155 THREE UNUSUAL PIKE LURES by an unknown maker. Excellent original paint. Appear to be in unused condition. One with jointed body. All three with three treble hooks. One with intitials "PZ" under lip. Largest measures 10 1/2." 100-200

 

156 CREEK CHUB PIKIE with jointed body with blue painted scale body.  In early Creek Chub box.  Both in fair condition. 50-75 

 

157 EARLY LARGE SUCKER ICE FISHING LURE, probably Michigan. Very good original paint and condition. Carved gill plates and inserted metal fins. Glass eyes and inlet bottom weight. Overall length 13." 200-300

 

158 SMALL SUCKER ICE FISHING LURE, probably Michigan, with deeply carved gills, inserted metal fins. Inlet bottom weight and top screw eye. Structurally very good with small rub to lower tail fin. Overall length 5 3/8." 100-200

 

159 EARLY SUCKER ICE FISHING DECOY attributed to Oscar Peterson, Cadillac, Mi. Retains mostly original paint with wear and flaking. Some possible paint touch up to white underside and metal inserted fins. Overall length 6 Ό”. 100-200

 

160 BLUE HERRING, 10", executed in the Abe Goulette style. Inserted metal fins and inlet bottom weights. Tie-through rigging. Very good original paint with minor scuffs. 200-300

 

161 HERRING FISH DECOY in the Hans Janner style. Weathered original paint with inset copper fins and elongated inlet bottom weight. Retains glass eyes. 8 ½” overall length. 100-200

 

162 LARGE ICE FISHING DECOY, possibly Michigan, in excellent original paint with minor wear. Metal inset fins, showing rust and chips. Double inlet bottom weights. Glass eyes. Overall length is 10 Ό”. 100-200

 

163 RED SUCKER ICE FISHING DECOY in very good original paint showing minor wear. Structurally very good with carved open mouth and gill plates, inset metal fins and inlet lead weight. Overall length 9 ½”. 100-200

 

164 SPECKLED TROUT ICE FISHING DECOY retaining very good original paint with minor wear. Structurally very good with inset metal fins showing some pitting and rust. Large brass tack eyes and metal tail. Inlet bottom weight. Overall length 9 ½”. 50-75

 

165 RED SUCKER FISH ICE FISHING DECOY, flat-sided, with original weathered paint and inset metal fins. Some rusting and pitting to fins. Tack eyes and inlet lead weights. Overall length 8". 50-75

 

166 BLACK PIKE attributed to Ron Jacobson, executed in the Cadillac, Mi., style. Excellent original paint with very minor scuffs. Inserted metal fins and inlet bottom weight. Structurally excellent condition. 100-200

 

167 YELLOW PERCH attributed to Jerry Horan. Excellent original paint with inset metal fins and inlet bottom weights. Carved gills. 6 ½” overall length. 200-300

 

168 EARLY OPEN-MOUTH ICE FISHING DECOY, possibly Cadillac, Mi. Excellent original paint with carved gill plates, inset metal fins, inlet double bottom weights and multi-hole rigging fin. Overall length 6 1/2." 200-300

169 DISPLAY CARD OF ANTIQUE SPINNER AND WOBBLING BAITS, comprising approximately 75 pieces and some antique swivels. All in generally good condition with some worn to the metal. 200-300

 

170 EARLY BROWN TROUT ICE FISHING DECOY, probably Michigan, with very good original paint that is crazed and shows minor wear. Structurally very good condition with metal inset fins with some rust, pitting and paint loss. Inlet bottom weight. Overall length is 9 Ύ”.  200-300

 

171 YELLOW BASS FISH DECOY attributed to Aage Bjerring, in excellent original paint and condition. Inserted metal fins and inlet bottom weight. Carved gill plates and open mouth. 100-200

 

172 VERY EARLY WHIMSICAL ICE FISHING DECOY in the form of a mermaid with grotesque face, inserted metal fins and inlet bottom weight. Paint weathered. Structurally very good. Unique form of American folk art. Overall length 6 1/8”. 200-300

 

173 BROWN TROUT FISH DECOY attributed to Ron Jacobson, in the Cadillac, Mi., style. Excellent original paint with inserted metal fins. Inlet bottom weight. Carved gills. 200-300

 

174 EARLY PUMPKINSEED ICE FISHING DECOY in very good original paint showing minor wear and crazing. Structurally very good with inset metal fins, carved mouth and gills. Inlet bottom weight. Overall length 4 ½”. 200-300

 

175 SMALL GREEN TROUT ICE FISHING in very good original paint. Structurally fair with professional repair to crack in tail. Inset metal fins and inlet bottom weight. 50-75

 

176 YELLOW PERCH attributed to Jim Nelson, in the Cadillac, Mi., style. Excellent original paint condition. Inserted metal fins and inlet bottom weights. 7" in length. 200-300

 

177 AN UNUSUAL DOUBLE-GILL TROUT ICE FISHING DECOY, possibly the Cadillac, Mi. Structurally sound condition. Inset metal fins showing some rusting with two inlet bottom weight and two rigging rings. Overall length is 7 ½”. 200-300

 

178 TROUT DECOY done in the Cadillac, Mi., style. Paint attributed to Hans Janner, Sr. Excellent original paint and condition. Inset metal fins and inlet bottom weight. Carved gills and tack eyes. 8" overall length. 200-300

 

179 EARLY PERCH ICE FISHING DECOY, probably Cadillac, Mi. Excellent original paint showing minor wear. Structurally very good with inset metal fins, tack eyes, carved mouth and gills. Inlet bottom weight. Overall length 7 Ύ”.  500-700

 

180 SMALL BROOK TROUT ICE FISHING DECOY with excellent original paint and inset metal fins showing rusting and pitting. Open mouth model with bright green eyes. Structurally sound with inlet bottom weights. Overall length 5 Ύ”. 50-75

 

181 SHINER FISH DECOY attributed to Mr. Kritti, executed in the Cadillac, Mi., style. Excellent original paint with inserted metal fins, inlet bottom weight, carved gills and tack eyes. 7" overall length. 100-200

 

182 OUTSTANDING PAIR OF CANVASBACKS by R. Madison Mitchell, Havre de Grace, Md. Excellent original paint with minor shelf scuffs. Structurally sound condition. Both heads turned slightly right. Both retain single nail bottom weights, rings and staples. Both bear crisp Mitchell signatures, and both are dated 1972. The decoys are in unused condition and were made for a gunning club that did not get its water lease. 600-900

 

183 VERY EARLY BLUEBILL DRAKE by R. Madison Mitchell, Havre de Grace, Md. Retains original paint worn to natural wood on edges. Structurally good with some dry rot to right side (2"). Minor shot scarring. Retains bottom weight and staple. Signed on bottom three times “WRJ.”  400-600

 

184 CANVASBACK HEN by R. Madison Mitchell, Havre de Grace, Md. Excellent original paint with some very minor flaking at neck joint. Structurally very good with a hairline crack in upper tail area. Head turned slightly right. Retains bottom weight, ring and staple. Signed and dated 1948.  600-800

 

185 EARLY EXCELLENT PAIR OF CANVASBACKS by R. Madison Mitchell, Havre de Grace, Md. Excellent original paint and unused condition. Structurally sound. Both retain bottom weights, rings and staples. Both with crisp Mitchell signatures, and both are dated 1974. The decoys are in unused condition and were made for a gunning club that did not get its water lease. 600-900

 

186 TWO BROADBILLS by R. Madison Mitchell, Havre de Grace, Md. Excellent original paint with minor shelf rubs. Structurally sound in unused condition. Both heads turned slightly right. Both with single-nail bottom weights. Both retain ring and staple.

The drake is dated 1967 and the hen is dated 1958. 400-600  

 

187 CANVASBACK DRAKE AND HEN by R. Madison Mitchell, Havre de Grace, Md. Excellent original paint. The drake with a large knot stain on bottom and smaller ones to sides with some shelf rubs. The hen with shelf rubs. Both structurally very good. Retain single nail weights, rings and staples. Crisp signatures. The hen is dated 1980 the drake is dated 1974. 600-800 

 

188 PAIR OF WIDGEON by Capt. Harry Jobes, Aberdeen, Md. Both near-mint condition. Both with hairline body cracks. Both retain bottom weights, rings and staples. Both signed on bottoms and stamped. 75-125  Not shown

 

189 CANVASBACK DRAKE AND HEN by R. Madison Mitchell, Havre de Grace, Md. Excellent original paint with minor shelf rubs. Both structurally sound in unused condition. Both retain single nail weights, rings and staples. Both with crisp bottom signature. The drake is dated 1974.  The hen is dated 1980.  Part of a rig of decoys made for a gunning club that did not get its water lease. Drake with knot stain on bottom. 500-700

 

190 PAIR OF CANVASBACKS by Paul Gibson, Havre de Grace, Md. Near-mint original paint showing some minor scuffs. Structurally excellent. Unused condition. Both retain bottom weights. Both signed and dated 1979. 300-500

 

191 BLUEBILL DRAKE AND HEN by R. Madison Mitchell, Havre de Grace, Md. Both in excellent original paint and unused condition. Some minor staining and shelf rubs. Both structurally sound with heads turned slightly left. Both retain bottom weights/r/s. Both signed on bottoms. The drake is signed 1973. The hen is dated 1958. A 5" lifting of grain to hen's right side. 400-600  

 

192 VERY EARLY MATCHED PAIR OF CANVASBACKS by R. Madison Mitchell, Havre de Grace, Md. Probably circa 1940's. Very good original paint, worn to the wood at bill edges, with some nicks and rubs. Otherwise structurally very good. Retains weights, rings and staples. 800-1200

 

193 PAIR OF PINTAILS by Clarence Webb, Jr. Elkton, Md. Excellent original paint and unused condition. Both with raised split wing carving and elongated tails. Good detailed bill and nostril carving. Stamped "C.WEBB". Drake signed by artist. 300-500

 

194 VERY EARLY BLUEBILL HEN by R. Madison, Havre de Grace, Md. Retains good original paint showing in-use wear to head and tail areas. Structurally very good with a knot on back and some dents to back. Retains weights, rings and staples. Two nails in bottom. 400-600

 

195 BLUEBILL DRAKE by R. Madison Mitchell, Havre de Grace, Md. Very good original paint showing some minor dents and wear to back and side. Structurally very good with head turned slightly left. Retains U-nail and weight. Signed and dated 1970 on bottom.     300-400

 

196 TWO VERY EARLY UPPER BAY REDHEADS in weathered paint worn to the wood in areas. One attributed to the Holly family. Both structurally good. Both with weights removed. Both retain bottom swivels. One branded "JIM." 100-200

 

197 TWO REDHEAD DRAKES by Paul Gibson, Havre de Grace, Md. Both with weathered original paint, worn to wood in areas. One with old neck crack. Otherwise, structurally good condition. Both retain bottom weights, rings and staples. Small "x" brand in bottom. 200-300

 

198 PAIR OF BLUEBILLS by R. Madison Mitchell, Havre de Grace, Md. Excellent original paint and unused condition. Structurally very good with hairline crack at right base of drake's neck. Some shelf rubs and minor rubs to both. Both retain single nail bottom

weights, rings and staples. Both heads are turned slightly left. Both are signed and dated 1967. 500-700 

 

199 EARLY CANVASBACK DRAKE by Bob McGaw, Havre de Grace, Md. Very old working paint. Structurally very good. Retains ring and staple and "dog bone" weight. 300-500

 

200 BLUEBILL DRAKE by Paul Gibson, Havre de Grace, Md. Very good original paint with minor wear. Early example retaining bottom ring, staple and weight. 100-200

 

201 REDHEAD DRAKE by Will Heverin, Havre de Grace, Md. Very good working paint by Charlie Joiner showing little wear. Structurally very good with original weight, ring and staple. "ER" (Eddie Robinson) cut in bottom. 200-300

 

202 EARLY BLUEBILL DRAKE by Paul Gibson, Havre de Grace, Md., in original paint worn to wood in areas. Structurally very good. Retains bottom weight, ring and staple. Small "x" brand on bottom. 200-300